| Performers: |
Jane Edwards (soprano), James Sanderson (countertenor),
Vivien Hamilton (soprano), Miriam Allan (soprano)
chacona: Lucinda Moon, violin I; Stephen Freeman. violin II: Nicole Forsyth, viola and violin (violin unison);
Hans-Dieter Michatz. treble recorder.
Continuo: Jamie Hey, violoncello;
Rosemary Webber Violone.
Tommie Andersson, theorbo. Lute, and Baroque Guitar;
Rosalind Halton. director & harpsichord.
|
| Tracks: |
CD 1
1-7
|
Olimpia
Chamber Cantata for soprano
Jane Edwards, soprano
 |
Real
Audio sample |
|
8-11
|
Del Tirreno sul
Lido
Cantata for alto solo
James Sanderson, countertenor
 |
Real
Audio sample |
|
12-19
|
Silentio, Aure
Volanti
Cantata for soprano solo with violins
Vivien Hamilton, soprano |
20-23
|
Bella Dama di
Nome Santa
Chamber Cantata for alto with recorder and violins
James Sanderson, countertenor
 |
Real
Audio sample |
|
24-27
|
E come, oh Dio
Cantata for soprano solo
Jane Edwards, soprano
 |
Real
Audio sample |
|
28
|
Toccata da
Cimbalo
Toccata da Cimbalo
Rosalind Halton, harpsichord
 |
Real
Audio sample |
|
29-32
|
Lontan
dall'Idol mio
Cantata for soprano solo
Vivien Hamilton, soprano
 |
Real
Audio sample |
|
CD 2
1-7
|
Lidio e Clori
Duet for soprano and alto with violins
Jane Edwards, Clori;
James Sanderson, Lidio
 |
Real
Audio sample |
|
8-17
|
Filli e Clori
Duet Cantata for 2 sopranos, with 2 violins
Jane Edwards, Filli;
Miriam Allan, Clori
 |
Real
Audio sample |
|
18-23
|
Perdono, Amor
Cantata for alto solo
James Snderson, countertenor
 |
Real
Audio sample |
|
24-27
|
Cantata
Pastorale
Cantata for voice with violins
James Sanderson, countertenor
Miriam Allan, soprano
|
Real Audio sample |
|
28-35
|
Horche di Febo
ascosi
Serenata for solo soprano and violins
Jane Edwards, soprano
 |
Real
Audio sample |
|
|